Haruki Nammei (1795-1878) Nanga Kôun Sanshô gafu sansui - Landscapes by Kôun Sanshô (Nammei)Signed: Nammei Kiryû yûshi Seals: Nammei, Kiryû noin, Kiryû Technique: colours on paper 17,7 x 12,4 Date: Late Spring of 1864 Box: authorised by Nagasaka Sekitai (1846-1925) 1.Title written by Sekitai, is a Chinese saying: Yuan qi lin li (Living vibrantly). It is dated: Winter 1918. 2. The introduction on Chinese landscape painting is also by Sekitai. 3. Waterfall landscape 4. Houses in a lake 5. Sailing boats and paddy fields 6. House in the mountain 7. Having tea under a pne in the mountains 8. Fishing from a boat in the winter 9. Village with bridge 10. House at a lake with paddy fields 11. Village at a stream 12. Boat in the wind under a cliff 13. Wilow landscape with houses 14. Cabin and mountain tops 15. village at the edge of a cliff 16 House roofs in the mountains 17. Cabin at a lake with a bridge 18. Boat under a tree on a cliff 19. Scholar and pines 20. Hidden village and mountain tops 21-22.The colophon consists of a list of the 24 styles of Chinese painting, two Chinese theoretical texts on Zen painting and Chinese landscape painting, and a text by Dong Qichang (1555-1636) who developed the theory of Southern Painting (nanga). Haruki Nanmei was the son of Haruki Nanko (1759-1839). He studied with his father as well as with Tani Bunchô (1763-1840). He was an eclectic painter and in due course became more appreciated in Japan than his assertive father. Quite successful, he managed to find himself a number of patrons in the bakufu. Ultimately his paintings surpassed his father’s both technically and artistically. Roberts; Berry & Morioka (2008) Price: ON REQUEST |