15. Nishiyama Hôen (1804-1867) Shijo View of a village on a baySigned: Hôen Seals: Shitatsu Technique: sumi & light colours on paper 102,7 x 24,6 Mounting: blue gold damask & sand coloured silk 174 x 26,5 Condition: very good Okamoto Toyohiko (1773-1845) and Matsumura Keibun (1779-1843) were the two leading painters (and painting teachers) in the Maruyama-Shijô style of the 19th century. Whereas Bunrin (# 16) studied with Toyohiko, Hôen studied with Keibun. Hôen, Bunrin, and their contemporaries Nikka (# 18), Zeshin (# 24) and Mori Ippô (1798-1871) were Shijô painters of the highest rank. "Hôen, like his teacher, was specialized in kachôga. “He had all the skill in the world in his brush, but a lack of assertiveness or gusto prevented him from exploiting it in such way as to carry us of our feet." Hillier. Reference: Roberts p. 46 Araki p. 1015 Hillier ‘74 p. 328 (# 256-258) Price: SOLD | |