17. Azuma Tôyô (1755-1839) Maruyama Reclining ox with pineshootSigned: Tôyô Seals: Kyôshû Hôgô & Tôyô Technique: sumi and light colour on paper 128 x 53,8 Date: 1827 Mounting: grey and yellow grey crushed paper 217 x 67,2 Condition: fine Tôyô was a painter much appreciated by his fellow artists, and is also considered one of the most important painters from Sendai. In the early 1770s he went to Kyoto where he studied Kanô painting under Kanô Baishô (1729-1808), but under the influence of Yosa Buson (1716-1783), and through his studies with Maruyama Ôkyo and Go Shun (# 1) his style turned into a very individual one. Because of the commissions he received from the Imperial court he was awarded the rank of hôgen, an official painter's rank. After thirty years in Kyoto he returned to Sendai, where he served the lord of the Sendai fief as an official painter. llustrated: Arts of Asia (1999), vol. 29, nr. 4, p. 82 Verzameld en gekoesterd, SJA Leiden 2000, # 40 A Brush with Animals, # 3 Exhibited: Hoorn, Fall 2000; Rotterdam, Winter 2008 Reference: Sendai City Museum 2005 Roberts p. 185 Araki p. 953 Kyoto '98 p. 266 Hillier pp. 147-149 Price: ON REQUEST | |