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80. Takeuchi Seihô (1864-1942) & Kawai Zuihô I (1863-1943)

Kikkôgata hachi, turtle shaped bowl - Amenbo, pond-skater
Signed: Seihô sha
Seals: Zuihô
Technique: Light blue Kyôyaki with crackled glaze and a blue tetsu-e underglaze decoration of a pond-skater and signature in black Ø 19,3 (17,7) x 7,2
Date: start of spring 1911
Box: signed
Condition: light discoloration of the bottom, otherwise very good

Seihô was one of the last very important and famous Maruyama-Shijô style painters.
He was an extremely skilful painter, which earned him fame and a lot of pupils. He entered Bairei's studio at the age of 16 and already in the following year he won his first prize at an exhibition, which is a rare for such a young artist.
He eagerly studied all different styles. In 1900 he went to Europe for six months to get acquainted with western painting. On his return he changed the first character "Sei" of his name into a character meaning "West". His two trips to China in 1920 and 1921 meant another enrichment to his painting. His flexibility in styles and the flamboyantly virtuoso way he handled his brush meant in the eyes of some critics that his craftsmanship reduced his artistic abilities.

Next to a number of monographs and any in general book on modern Japanese painting:
Harada 1981
Berry & Morioka ‘99 pp. 130-137
Conant pp. 322-323
Roberts p. 171
Araki p. 1633

Zuihô lived in Higashiyama, Kyoto. He made particular efforts to revive the local ceramic art, which made him a well-known figure in the world of Kyoto ceramists. He had a special relationship with Zen. He was the first of three generations of potters.

Availability: On Request